Robert Oltarzewski describes his creative process as one of peeling away the layers of time. He likens this approach to the ancient Greek concept of Kairos—a fleeting, opportune moment where everything aligns perfectly. This theme of time has been a constant in his work, first emerging during his early artistic endeavors. In 1979, while working at Chautauqua Lake in upstate New York, under the mentorship of Professor William Waite, Oltarzewski feels he found his artistic voice. “The resurgence of the process comes from something in my past," he reflects. "I can’t explain it, nor do I want to.”
Oltarzewski’s technique is gradual and meditative. He builds layers using chalk, ink, cord, and paint, only to strip them away in an effort to unearth the past and fuse it with the present. “In my work, I tear the layers away—perhaps from the canvas, perhaps from myself. I don’t want my work to offer immediate imagery. In fact, I prefer it doesn’t, as it slows down the viewing process, giving the audience room for interpretation.” His creations span from intimate pieces to expansive installations. In many ways, Oltarzewski channels the spirit of a Boehme, fully embracing his role as an artist who bridges past and present.
